暂无英文版的简介，请添加内容帮助我们完善数据库。

暂无英文版的简介，请添加内容帮助我们完善数据库。

After the Cristero War in rural Mexico, a carpenter must carry the body of his young son across a devastated landscape haunted by the devil.

We don't have an overview translated in English. Help us expand our database by adding one.

How are the sex scenes filmed? What tricks are used to fake the desire? How do the interpreters prepare and feel? Spanish actors and directors talk about the most intimate side of acting, about the tricks and work methods when narrating exposed sex. In Spain the general rule is that there are no rules. Each film, each interpreter, faces it in very different ways.

Wednesday, December 20, 1995. Cali dresses up to celebrate Christmas and the beginning of the Feria. American Airlines Flight 965 from Miami, carrying 155 passengers and 8 crew members, is scheduled to land around 9:30 pm; but a chain of navigational errors causes it to never reach its destination. The aircraft crashes into a hill, leaving the wreckage in an area of impossible access, dense fog and controlled by guerrillas. A group of rescuers from Cali, including Dr. Quintero, paramedic Perdomo and firefighter Galvis, are the first to react and try to reach the crash site, where they find a big surprise: miraculously. there are passengers who have survived the initial impact and the sub-zero temperatures. The rescuers will have only a few hours to reach them and save them, facing all kinds of obstacles and difficulties.

For many years, Cristina and La Bonita have worked as cooks on merchant ships sailing the Peruvian Amazon. Today, they seem to be naturally embedded in the local landscape and social fabric, but being transgender still poses a challenge to local customs, convictions and beliefs. Each protagonist tries to reconcile their identity with functioning in a community – be it a family or a religious community – in their own way. We watch them in their everyday lives, as they work, play and take care of others, as well as long for each other and talk dirty. This intimate portrait is intertwined with a colourful picture of the local culture.

Eduardo Peña and Angel Ruiz are two Spanish actors who are on tour in Argentina. They try to achieve success there with a play that speaks of man and his passage through life, but the spectators are becoming increasingly scarce. One day his old car breaks down and they stop at Zapallares, a lost town. There, on the eve of the municipal elections, they meet an old friend, Professor Roberto Tolosa (Dario Grandinetti), critical of the construction of a new hotel and with the political class of the place and that will try to reopen a theater with the help of their fifth-year students, despite opposition from politicians.

Andrea, a young executive is trapped through the weekend on the rooftop of her office alongside Gualberto, the janitor. Truly lost in an asphalt and glass sea, both characters think over their lives and values.